The outside world was an esoteric concept. It still felt like you could have a secret or find something novel. Everyone wanted to be like Johnny Knoxville and Margera. Everyone wanted to be famous for existing stupidly.
We felt lucky to be close enough to one of them that we might end up included by accident, like when friends went to party at Castle Bam and happened to stay long enough to watch him build a slide — just for fun, because he had money and nothing else to do — off the side of the house for an episode of his reality show, sliding down for a few seconds of glorious semi-fame.
American Beauty , a shallow film about how the suburbs sure are lame, man, was a Best Picture winner. Ben Folds was charting with an album of ironic piano pop about rocking those same suburbs, like Father John Misty if he drove a minivan. Chain restaurants had hour-long waits on weekday nights, the closest museums were an hour or more away and you spent most of your time driving a shitty car from one parentless house to another, with each trip an exponentially increasing risk of an underage drinking citation, a DUI or worse.
Jackass and, particularly for us, Bam Margera represented a direct manifestation of our desire to destroy ourselves in the face of boredom — to allow ourselves to be consumed by pain instead of succumb to being numb and lame like our parents.
In the absence of culture, we find elaborate ways to hurt our friends for entertainment, and we laugh in the way Nietzsche described laughter, as an expression of suffering.
And also because it is very funny when a man is forced into a barrel and thrown down a waterfall in Iceland. As the original influencers, the Jackass cast were men of the people.
Wanna come over and drink and watch it? The drugs were plentiful. The women were accessible. You had to bring your own booze to the refurbished colonial barn, as Margera never supplied the alcohol, just the venue. When the sun came up, the slow march toward the softest surface available began, stepping over bodies like the end of a Civil War reenactment. In fact, he cut off all contact with his cast mates for years afterward, until shortly before Jackass 3D entered production.
Connections Features Wildboyz User reviews 16 Review. Top review. More Info. I have more info on this title but don't know how to edit it, so ill leave it here: Running Time: 64mins, Release: Available Online Only Further Info: Remaining Unused scenes made in production with jackass number two, compiled together by Jeff Tremaine and Johnny Knoxville.
Maybe even two. Not knowing what to do with all this material, Jeff Tremaine and Johnny Knoxville decidedly set it aside for some undecided future use. For the better part of the year following the release of jackass number two, this cache of unseen footage remained in limbo until someone came up with the idea to film all new interviews with the cast, talking about this excess of never-before-seen pranks, stunts, and random acts of behind-the-scenes mischief and stupidity, and package it into a documentary-like feature called jackass 2.
Although this isn't necessarily the "new" jackass movie, it's still every bit as unbelievable, dirty, and downright sexy as its predecessors-maybe even more so at points. Sean Cliver. Details Edit. Release date December 19, United States. United States. English Russian. Technical specs Edit. Runtime 1 hour 4 minutes.
Related news. Jun 4 The Playlist. Sep 16 The Wrap. Contribute to this page Suggest an edit or add missing content. Top credits Director Bam Margera. See more at IMDbPro.
Photos 4. Add image. Top cast Edit. Bam Margera Self as Self. Brandon DiCamillo Self as Self. Ryan Dunn Self as Self. Jess Margera Self as Self. Chris Raab Self as Self. Rakeyohn Self as Self as Rake Yohn. Chris Aspite Self as Self as hoofbite.
Mike Maldonado Self as Self as Maldonado. Kerry Getz Self as Self. Mark Hanna Self as Self. Chris Hanna Self as Self. Deron Miller Self as Self …. Chad Ginsburg Self as Self. Leo Fitzpatrick Self as Self.
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